ABOUT
In my artistic practice, I investigate perception as a constructed and regulated process, working with photography, collage, video, and installation to approach images as systems that organise attention, produce legibility, and direct meaning. I use images of transitional spaces, overlooked environments, functional or seductive imagery, and simple source material. I intervene in ways that suspend resolution and disrupt stable orientation through reflection, layering, transparency, and spatial displacement. These deliberately restrictive interventions limit the conditions under which meaning can emerge, positioning images as unstable fields that resist clarity and coherence in favour of delay, obstruction, and unresolved tension.
